2ND ED. 2024
| Fewer, Better Things: The Hidden Wisdom of Objects Glenn Adamson Los Angeles: The Architecture of Four Ecologies Reyner Banham Palm Latitudes Kate Braverman Chance and Circumstance: Twenty Years with Cage and Cunningham Carolyn Brown Shigaraki: Potter’s Valley Louise Allison Cort The Bohemians Jasmine Darznik Political Fictions Joan Didion Wit Margaret Edson Nat King Cole Daniel Mark Epstein How to Cook a Wolf M.F.K. Fisher Call Us What We Carry Amanda Gorman Hyperallergic: Online Arts Publication Klara and the Sun Kazuo Ishiguro Forty-one False Starts: Essays on Artists and Writers Janet Malcolm Purple Hibiscus Chimamanda Ngozi Adichie It Is Almost That: A Collection of Images + Text Work by Women Artists & Writers edited by Lisa Pearson Handmade Culture: Raku Potters, Patrons, and Tea Practitioners in Japan Morgan Pitelka The Girl With The Gallery: Edith Gregor Halpert and the Making of the Modern Art Market Lindsay Pollock Clay: The History and Evolution of Humankind’s Relationship with Earth’s Most Primal Element Suzanne Staubach A Short Life of Trouble: Forty Years in the New York Art World Marcia Tucker The Artist’s Reality: Philosophies of Art Mark Rothko The Crock of Gold James Stephens Nonrequired Reading: Prose Pieces Wislawa Szymborska Off the Wall: A Portrait of Robert Rauschenberg Calvin Tomkins All are stories, tales, truths, I come back to again and again. Some have made me cry, others I find enlightening or expand on a sense of value. I was introduced to ‘The Crock of Gold’ in 1962 by a college roommate...a quirky, fanciful novel taken from Irish fables. Stephens spins odd tales of power struggles between Leprechaun couples with remarkable emphasis on the magical power of the women. |